Soundtrack for the End of the World

December 21st, 2012

Posted by Gosia Mrugala

If the world was gonna end — as it’s supposed to do today! — what would your tracklist sound like? My own taste in music is pretty diverse; the following are the tracks that will take me through the imminent apocalypse. (There are so many more, but I’ve narrowed it down for you. Last day on planet earth, and all: I figured you’d be busy.)

>OrelseRambo Tie

>Beekay – Lost

>Andre Sobota – Saviour

>Porter Robinson – Unison

>Maya Jane Coles – Low Key

>Digital Freq – Pounding Venus

>2BLASTGUNS – Memory

>KHOMHA – Vapor

>Matchbox Twenty – Put Your Hands Up (Swanky Tunes Remix)

>Nervo & Hook N Sling – Reason

>David Tort feat. Dirty Vegas – Safe From Harm

>Yves V, Jacob Van Hage & Loopers – Amok

>Antillas, Dankann – Evolution

>Kaster – Rage Quit

>Morgan Page & Stefan Dabruck – Credo

>R3hab & ZROQ – Skydrop

HAPPY ARMAGEDDON, EVERYONE!



Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.

 

Gosia’s Track of the Day: R3hab, “A Night In”

December 20th, 2012

R3hab – A Night In (EDC Orlando 2012 Anthem) – BUY IT ON BEATPORT

Little surprise that this superb production served as the official anthem for this year’s Electric Daisy Carnival Orlando. I caught R3hab at Digital Dreams in Toronto this past summer and was hooked. An incredible live performer, he is equally masterful in the studio, as this track clearly attests. If you haven’t been lucky enough to witness this Dutch DJ in performance, I recommend keeping an eye on his tour schedule and marking it in your calendar when he’s next in your vicinity. I promise you won’t be disappointed.

R3hab – A Night In (Original Mix): LISTEN ON SOUNDCLOUD



Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.

 

That Was The Year That Was

December 19th, 2012


Made plans yet for New Year’s? Why not spend it with bpm:tv?

To celebrate a watershed year for EDM in North America, we’ve lined up a series of specials showcasing the most exciting and important sounds of 2012. We’re gonna be the New Year’s destination for anyone who wants to hear the biggest hits and relive the most memorable moments of the year that was.

Here’s what’s in store:

>THE HOT 20 OF 2012
Airs: New Year’s Eve from 4 pm to 10 pm ET | New Year’s Day from 10 am to 4 pm, repeats starting 12 Midnight ET
bpm:tv’s Hot 20 Dance Chart is the definitive weekly guide to the dance tracks rocking clubs around the world. This two-part special recaps the best of the year’s best: the monster hits that scaled the upper reaches of the Hot 20 in 2012, from David Guetta’s anthemic “Titanium,” to PSY’s inescapable “Gangnam Style,” to Swedish House Mafia’s swan song “Don’t You Worry Child.”

>NEW YEAR’S DANCE PARTY 2012
Airs: New Year’s Eve from 10 pm to 1 am ET, repeats from 1 am to 4 am ET
bpm:tv bids farewell to 2012 with a three-hour commercial-free dance mix featuring the year’s biggest club hits, plus a sprinkling of last year’s smashes, and all-time classics from the likes of Daft Punk and Kool & The Gang.

>THE TOP 100 DJs of 2012
Airs: New Year’s Day from 4 pm to Midnight ET
This four-part special reviews the results of this year’s Top 100 DJs poll, the authoritative global ranking of electronic dance music’s most popular and successful artists, and highlights career-defining tracks by every major performer on the list, from Avicii to Zedd.

Don’t forget that bpm:tv is in free preview right now on Videotron and Eastlink, so if you’re a customer of either service, you can tune in to catch bpm:tv free of charge throughout the holidays. You’ll find us at channel 166 on Videotron, and channel 177 on Eastlink.

Happy holidays!


 

Meet RENE ESCOBAR, the new host of bpm Spotlight!

December 18th, 2012

There were hundreds of candidates, six finalists … but there can only be one host. Meet RENE ESCOBAR, winner of bpm:tv’s coast-to-coast Casting Call 2012, and the new host of bpm Spotlight!

Watch for Rene on-air in the new year. And keep your eye on this blog: he’ll start posting here soon!

Don’t forget to check out Rene’s Tumblr. And like the man says, “Stay beautiful.”


media


 

Corsten’s Countdown New Year’s Special!

November 20th, 2012

So: 2012. Best year ever or annus horribilis? Either way, the time to mark its passing approaches rapidly, and Dutch trance superstar FERRY CORSTEN has a special celebration planned. Tune in to his radio show, Corsten’s Countdown, on Saturday December 29 from 10 am to 6 pm ET for an eight-hour New Year’s live special.

You can be part of it, too! Visit the Web page to submit your track requests, share your favourite memories of 2012 or reveal your New Year’s resolutions.

Check out the promo clip (and note the subtle bpm:tv product placement!):


 

Live Review: Nightbox

October 22nd, 2012

NIGHTBOX @ HORSESHOE TAVERN, TORONTO – SEPTEMBER 28, 2012

Posted by Caelin Meredith

It’s always great to be there when the next big sonic wave hits. Which is what happened when rising local stars Nightbox played Toronto’s legendary classic rock bar the Horseshoe Tavern, flipping a joint known more for punk garage than UK garage. Those who were there witnessed something fresh and new in live electronic music: the emergence of a genre-bending band destined to pave new roads on the Canadian music scene.

They’d killed it at their Canadian Music Week at back in March, turning Wrongbar into a sweatbox and leaving me craving more. So it was with bated breath that I waited all summer long for a chance to catch another gig.

Opening for them on this night was Brockville, Ontario’s Bravestation, another hybrid rock/electronica band, with a sound hat one partygoer likened to “a rainforest.”

Then Nightbox boldly took to the stage, opening with the ever-appropriate “Burning.”

From the first few notes, it’s evident that this is a band difficult to pigeonhole. Their sound is atmospheric, otherworldly, even angelic at times — but with all the passion of a rock band and a guttural, driving, dance beat. To watch drummer Nick Bitove keeping time at 150/160 bpm — practically drum-and-bass tempo — was transcendental.

Experiencing their live show, with its complex audio inflections, can border on sensory overload. Their sound seems emanate from three times the number of people who are actually on stage. Yet what could easily have end up sounding clinical or mechanical comes across instead as supremely humane and organic.

The crowd, like me, devoured every minute of every song, letting the music wash over them and move their bodies. Most were college age — no surprise there: it’s an audience that always seems to know what the next big thing is going to be. (Where would Zeds Dead or Deadmau5 be if not for their early campus tours?)

Nightbox rewarded the crowd’s enthusiasm, playing with such unbridled passion on tunes like “Relocate You” and the darker “Fumes” it was like they were living their last night on earth — feeling every note, every beat. At times, the guitar and bass supported one another harmoniously, complimenting the synth and evoking such familiar touchstones as Dark Side of the Moon or the immediately recognizable sounds of The Clash or The Jam. At other moments, one could easily picture the band playing at sunrise on the deck of Space in Ibiza.

“Are you guys ready to get slutty? Cuz I wanna get slutty with you,” joked lead singer Jacob Bitove. This threw the crowd into an even deeper frenzy, as excitable as teenagers experiencing their first makeout session.

The night reached its crescendo when the band dropped “Pyramid,” an African-inflected jump-up song with elements of new wave, punk and ska. The warm sound that expanded to fill the room was a rebuke to all that’s missing in mainstream music today. I could liken their joyously hyped-up sound to Vampire Weekend’s, or note that Jacob’s voice is every bit as distinctive as that of UB40′s Ali Campbell — but comparisons only do this band a disservice.

Nightbox aren’t currently touring; they’re hoping instead to focus on compiling  their full-length debut album, which should drop in spring 2013. In the interim, they’ll be releasing some new music for their fans. For now, I’d recommend checking out their Facebook page to find out where you can see them next. Mark my words: someday you‘ll want to be able to say: “I saw them when.”


Nightbox lineup: Jacob Bitove – Lead Vox | Nick Bitove – Drums | James Tebbitt – Lead Guitar | Andrew Keyes – Bass | James Shelly – Synths

Horseshow Tavern set list: Burning | Utopia | House | Pink Clouds | Body of a Man | Invisible Hands | Brush Me Up | Sister | Waves | Pyramid | Fumes | Relocate You


Check out Caelin Meredith’s site PUSH > PLAY.

 

Gosia’s Track of the Day: Dimitri Vegas & Like Mike, “Tomorrowland Anthem 2012″

October 22nd, 2012

Dimitri Vegas & Like Mike – Tomorrowland Anthem 2012 (Original Mix): BUY IT ON BEATPORT


I’m making it my mission to get to Belgium next summer for Tomorrowland. Recapping past Tomorrowland festivals, seeing photos and videos from the latest extravaganza this past July … well, let’s just say it’s marked in my calendar for 2013. As for Tomorrowland 2012: Dimitri Vegas & Like Mike have produced the perfect summing-up. If you’re looking to compile the tracks that capture the summer of 2012 for the EDM community, this would definitely have to rank in the top five!



Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.

 

That Was The Summer That Was: Looking Back at WEMF 2012

September 11th, 2012

Posted by Gosia Mrugala

WEMF: AUGUST 17-19, 2012 | SOUTH ALGONQUIN, ONTARIO


It’s a long, long drive down swerving roads, past trees, swamps and cottage country as you make your way to the grounds of Canada’s most famous electronic music festival: WEMF.

The security was very strict. And yes, that comes with the territory at big EDM events like this, but still: being stuck in a car lineup for three-plus hour made many WEMFers quite upset and brought some negativity to the environment. At the end of the day, though, the point of the security is to make sure the experience is safe and fun for everyone, so let’s just call it a necessary evil.

This year’s festival lineup wasn’t necessarily appealing to the “commercial” ear. It was tilted heavily toward the kind of raw, underground music that you tend not to hear on z103.5 or Virgin Radio. It was a fun experience, but with the two main stages dominated by dubstep artists, it felt a little lacking in variety, especially for those of us looking to hear more in the way of a trance or tech sound. At times, I found myself drawn away from the action at the Tower of Destiny and Time Stage, and drifting toward the community stages and the tent.

One artist who just blew me away was Moby. I’d never before had the pleasure of experiencing his music live, and at WEMF he delivered a mind-blowing, bass-filled DJ set that definitely left me feeling nostalgic. His interaction with the crowd was enthralling too.

Infected Mushroom was other act that made my jaw drop. Their futuristic set-up and musically hypnotic performance was entrancing to watch and experience.

There was talk of having a Ferris wheel towering above the grounds this year. And it would have been a truly psychedelic experience to ride aloft and take in the whole scene: the serene wilderness vista, the euphonious music. Alas, no Ferris wheel, much to the disappointment of many WEMFers.

The setup of the stages wasn’t ideal, either. With the Tower of Destiny, the Time Stage, and the Centre Camp all lined facing one another in a triangle, the music did clash a bit in some spots.

All in all, an enjoyable and memorable weekend. But given the huge expectations attached, I’m hoping there will be a few improvements next year to make this last of the summer’s big EDM festivals a more satisfying experience.


Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.

 

VELD 2012: Recap

August 12th, 2012

Posted by Gosia Mrugala

EDM has exploded onto the Canadian scene in the past few years, and this summer will almost certainly be remembered as a history-making moment, dominated by a series of electronic music tests that fans will be talking about for years.

Last weekend brought the inaugural VELD Music Festival and its mind-blowing lineup to Toronto’s Downsview Park, courtesy of INK Entertainment. An interesting name for a festival, no?

Veld – (noun) the open country, bearing grass, bushes, or shrubs…

The anticipation for this fest was absolutely mind-boggling, fed by a YouTube video designed to get you wanting more and the posters and billboards plastered all over the city. Happily, VELD went above and beyond expectations. I was blown away and left speechless. Just about every performance was noteworthy, but a few will stay permanently imprinted in my memory.

All praise to the brilliant Steve Aoki — a true performer. He rocked that crowd, delivering not only smashing tunes but a jaw-dropping show. From crowd-surfing in an inflatable boat to soaking the audience in champagne, he is by far one of the most commanding performers I’ve ever had the pleasure to experience.

I hadn’t had the chance before to see Krewella live, so I’m grateful to have experience their impressive performance in the Bacardi tent at VELD. The trio work harmoniously together, cranking out skin-crawlingly ecstatic tracks precision-tooled to galvanize the crowd.

Steve Angello turned in an awe-inspiring set. His music selection was absolutely infallible and kept the crowd moving in a frenzy.

VELD’s headlining acts were Deadmau5 on day one, and Avicii on day two. Deadmau5 dazzled the hometown crowd, even in the pouring rain, dropping a selection of his classic tracks along with some new beats that fell intriguingly on my music-hungry ears. But it was Avicii who surprised and impressed me, played some hard, bass-pumping stuff that left me hungry for more, even after two exhausting days.

All in all, VELD was a great success. INK did a phenomenal job with this event, and I’m excited to see what they will bring to the table in summer 2013. Till then, be sure to check out some of their other notable events, including CONTACT and Labour of Love at Toronto famed The Guvernment/Kool Haus complex.


Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.


So That Happened …

August 10th, 2012

So. VELD. Wow. That was just … wow. I mean, the music and the crowd and the spectacle … it was all just … you know … wow.

Screw it. There’s no easy way to describe an incredible experience like that. You know what they say about pictures and words? If you really want to know what last weekend at VELD was like, check out the massive photo gallery posted by fearless bpm:tv bloggeuse Gosia Mrugala.

VIEW THE ENTIRE VELD PHOTO GALLERY HERE.

Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.