Posted by Caelin Meredith

Almost at the of the RBC Royal Bank Bluesfest, and for EDM fans in Ottawa this was to be their day. Strategically, the Electro Stage showcased hip-hop as the Full Flex Express took over the Main Stage.

An homage to the legendary 1970 Festival Express tour that sent Janis Joplin, The Grateful Dead and The Band rolling across Canada by rail, the Full Flex Express packed Skrillex, Diplo, Grimes and Pretty Lights aboard a specially outfitted Via Rail train to party their way from from Toronto to Vancouver.

The set started at 6 pm with Diplo playing in 34-degree heat to about 10,000 people. He was in a chatty mood, continuously introducing his tracks on the mic and joking, “I heard Ottawa was harder than Toronto — but I had no idea how much harder!” This latter met with screams and cheers.

He dropped AC/DC to a thoroughly crazed reaction — no surprise, given, as I’ve mentioned before, Ottawa’s classic rock roots. Plus “Roxanne” by The Police with a deep Moombahton flow. The other huge anthem: “Rack City” remixed in various flavours.

Diplo felt so at home here he spent the last minutes of his set crowd-surfing, holding the mic and chatting. DJs jumping into crowd: is there any lingering doubt they’ve become our new rock stars? Nobody can touch them right now (figuratively speaking).

Meanwhile, over on the Electro Stage, Tyga was in the process of sending Ottawa’s hip-hop lovers ballistic.

I honestly had no idea that the local “heads” were so f**king nuts for the Cash Money/southern ballers style. But they lost it from the moment he hit the stage. He slammed it non-stop, and I had to duck side-stage as soon I heard the first few bars of “Rack City” — I could feel they were gearing up to lose their shit.

Elsewhere, Skrillex’s fans were busy getting ready to freak out the f**k out.

Pretty Lights was next up on the Main stage, as the crowd continued to swell. His set was orchestral and massive, punctuated with tunes like this one: “I Know The Truth.”

And finally, the main event! Skirllex brought a larger and more elaborate show than he had the previous night in Toronto. The backstage was closed due to all the pyrotechnics, lasers and whatnot, which meant no photography. So I had to sneak these …

This was a full-fledged rock concert ordeal, on a par with or bigger than what any of the week’s other main stage headliners had delivered — and the record crowd of 30,000 freaked to every minute of it.

… and FINALLY, an after party!

With the train set to depart at 2:30 am, getting to the party felt a little rushed, but once everyone got to Ritual Nightclub and settled in, the only issue I could foresee was getting all the artists to leave on time.

After Koan Sound (who are also on the train) played a dubsteppy set (including ragga jungle licks like “Special Dedication”), it was down to the Don. Skrillex, having just performed a full-on concert, played another few hours at this intimate club venue.

And the crowd was right there with him, partying on just as hard.

He gave it everything he had, sweating profusely and never letting up — even taking the photographer’s camera and snapping pics of himself with the crowd. Steadfast and dedicated, he is without question the hardest-working DJ out there right now.

And with that, the Full Flex Express left Ottawa as quickly as it had come, leaving a trail of wondrous disaster in its wake.

Check out Caelin Meredith’s site PUSH > PLAY.

Posted by Scott Willats

Just a few hours now till the Full Flex Express hits Toronto’s Fort York: the first stop on a magical mystery tour that will be rolling on to Ottawa, Montreal, Winnipeg and Edmonton before finishing up in Vancouver on Sunday July 22. The folks at Embrace Presents have brought out the big guns for this cross-country juggernaut — and the biggest gun of all is some guy called … Skrillex? Possibly you have heard of him?

The last time Skrillex was in this neighbourhood was at WEMF 2011. Things have changed just a little since then. He has, simply put, become a worldwide star. Now many bpm:tv fans aren’t keen on dubstep. Fair enough. Many don’t like Skrillex’s music. Again, fair enough.  But like him or not, you’ve gotta respect him as an artist.  He has, more or less single-handedly, brought a sound to a completely new audience — and that serves all of us who love EDM fan. He’s also been completely honest and up-front about his strengths and limitations, admitting outright that he has learned only recently how to mix at live performances. Some of your favourite house DJs could afford to demonstrate that kind of candour and humility.

I’m not here to have a debate about “selling out,” whatever that’s supposed to mean.  What I will say is this: when you have a chance to see a live performance by an artist who’s in such high demand, you should grasp that opportunity. I’ve seen Skrillex live on two occasions: the first a crazy show at The Phoenix before most had heard of him, the second at WEMF, by which time nearly everyone knew the glitches and wobbles in “Cinema” by heart. Both times he murdered the show. I expect he’ll do the same tonight at Fort York. And for DnB fans out there, his recent experimentation with drum ‘n’ bass might be added incentive to try catching up with the Full Flex Express.

Of course, Skrillex isn’t the only reason to snag a ticket. Diplo, Pretty Lights, KOAN Sound, Grimes and many more will be aboard the train as well — all headliners in their own right. Pretty Lights always delivers a great show, KOAN Sound has massive tunes, I have a major crush on Grimes and Diplo just crowd-surfed Digital Dreams in a giant f**king balloon. Festival season, is in full flight, and this one is a must-go!

Major Lazer – Get Free EP: LISTEN TO IT HERE

Grimes – Genesis: LISTEN TO IT HERE

Kill The Noise – Deal With It (KOAN Sound Remix): LISTEN TO IT HERE

Pretty Lights – Finally Moving: LISTEN TO IT HERE

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Posted by Scott Willats

Canadians are more than lucky this year. Usually, festival season means having to venture to some distant location to see our favorite acts in the flesh. But not everybody can afford the cost of a trip to Coachella or Electric Daisy Carnival.

This year, happily, some of the best fests are taking place right in our own backyards. WEMF you know about already — an automatic must-see. Then we have Digital Dreams, which promises to be absolutely sick: Duck Sauce, Afrojack, Kaskade — ’nuff said. And, of course, there’s the much-publicized Full Flex Express cross-country train tour, featuring Skrillex, Pretty Lights, Diplo and Grimes.

Also on the agenda: HARD Toronto on August4, featuring M83 and Justice along with locals Austra. Another must-see, right? But wait! Turns out the VELD Music Festival , featuring Deadmau5 and Avicii, is going down the same day. R’uh r’oh!

So Toronto goes from having no electronic festivals to having too many — a great problem to have, right? I dunno. Sure, we’ve got a large number of EDM fans in the city and province — but enough to support two festivals on the same weekend?

Granted, the music on offer isn’t exactly the same. Justice appeals to more of a rugged, indie-based crowd, while the VELD fest lineup is the definition pure EDM. (I mean, the mau5 even made a song called “The Veld.”) But for most fans, it’s not going to be a question of preferring one over the other. It’s more of a scheduling conflict that could end up costing one or the other of these fests a lot of audience — not because the promoters failed to assemble a good show, but because your average EDM fan just can’t physically be in two places at once.

I kind of think this problem sucks — but I also figure it’s better to have too much choice than too little. Either, it’s going to be a helluva festival season. A lot of people will be wearing out their summer tires that first weekend in August, shuttling between Hard and VELD. And I’ll be one of them.

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