The weekend — which means the Bluesfest goes 10 hours a day. A nice, relaxing way to spend two days off work: milling around on a grassy knoll by the river and hearing some great music.
Rocking the Electro Stage: Nobody Beats The Drum, from the Netherlands. Despite the afternoon slot, they performed a high-octane set to a fair-sized crowd. Still, I wish I could say it was something like this:
Sjam and Jori from NBTD told me they have been on the road for the past eight weeks, playing shows and making music during the 16-hour van rides. Their current work, they said, is especially influenced by the landscape, as they’ve just completed a quintessential American road trip, starting in Alabama and heading up the west coast.
Ordinarily the band has a 27-foot screen to showcase their one-of-a-kind videos. Unfortunately, the stage specs at Bluesfest kept them from using it. A small sample of what we missed out on:
Next up was France’s Mustard Pimp. “Christian rap/death metal/electro” is how he chooses to describe his music his on his Myspace page under “genre.”
Hard but crunchy beats with full basslines, featuring well-timed peaks and subsequent drops. Plus: a notable absence of dubstep! Not that I’m hating — it was just a refreshing change, since every other DJ has managed to incorporate some dubsteppery. CHECK OUT MUSTARD PIMP’S MUSIC ON SOUNDCLOUD.
Meanwhile, on the main stage… this was happening.
And that’s all we’re gonna say about that. Back to the Electro Stage, and the evening’s headliners: MSTRKFRT.
Jesse said the last time he was in town they played to more than 2,000 fans at an all-ages gig in Hull. The Bluesfest attendance was on par with that, and the crowd jumped non-stop for an hour and a half. An electro-and-dubstep-fueled, Moombahton mashup of hits, including Nero’s “Crush On You,” which got the calls for rewinds. The crowd surfing throughout this performance made it seem as much a rock show as a DJ set.
And FINALLY … an after-party! MSTRKRFT were there as guests of honour rather than working behind the decks, so DJ duties fell to local hero Mister P, who’d played the fest a couple days earlier. The music flowed at JunXion in the Market, as partiers reveled until dawn.
Los Angeles-based DJ MORGAN PAGE — a bpm:tv favourite — headlines on the Electronic Stage at Edgefest ’12 in Toronto this Saturday July 14. He took a few minutes from his hectic touring schedule to field some questions from Toronto’s DJ Soundbwoy (a.k.a. Chris Wilson).
DJ SOUNDBWOY: How important was it to you to find a unique “Morgan Page” sound, and how long into producing did it take to find it?
MORGAN PAGE: Well, I think its always changing. I put out his tweet the other week basically saying that I’m just finding my sound recently, and that it’s more on a club tangent. I’m just finally getting that sound that is chilled nicely, has the right amount of toughness and the right amount of melody and vocals. I think I’m finding this nice balance now, and it has taken along time — the earlier stuff I did was much deeper, and after playing and touring a lot it’s really shaped the sound. This is a very different sound now, but emotionally it resonates. It works for a crowd that knows my music and also for people who are new to the music.
DJS: If you had to name one particular song or artist that heavily influenced you to begin producing, what/who would it be?
MP: I would say Daft Punk was a heavy influence and I’m sure you hear that a lot, since it’s like an obvious one. During their early stuff like “Around The World, it was just a major influence and I can remember thinking that I can’t even imagine playing this. I would play it on my mix show and it was just a real pivotal record — I can remember buying it on vinyl.
DJS: You’ve been busy traversing the globe this year and have been working on your live show. What has been your most memorable show of 2012?
MP: Playing Coachella was probably number one, and it was also pretty amazing to play Electric Daisy Carnival. Also “Body Work” becoming a gold record recently, it’s definitely my first gold record in any country and I think it’s the first one for Tegan and Sara for a single. It was such an unlikely thing, I’m amazed it all kind of panned out that way and it just happened to be the right song at the right time.
DJS: What’s the craziest thing you’ve seen while playing a show?
MP: It’s usually something technical, like something blowing up at a show — I had a mixer blow up at one show because of the air conditioner. The club was so packed that it overloaded the air conditioning and it started to rain onto the mixer. The mixer ended up being covered in about four inches of water, shorted out, and made a white noise — and then of course the club went silent. This all happened at a show in New Mexico. Thankfully they had another mixer there and we eventually got it back after about half an hour.
DJS: Since you have so many originals and remixes out, how do you pick which ones you’re going to use live?
MP: Good question. It’s so hard, because inevitably someone is going to be pissed that you didn’t play that one song in your arsenal. I have about 250 remixes now so I prioritize by originals. I don’t want to be the DJ that just plays his own stuff, ’cause that gets kind of boring. But I know that’s what the fans want, I know they would be happy if you only played your stuff, so I play about 80% of my music and 20% of others — and to me, that keeps it fresh. When people are coming to your show they want to hear all your originals. Typically at a festival that’s easy, but at a show you have two hours or more than that, and each song has to be the best one of someone’s life. So you have to get all your originals in and your favourite new music in, and the transitions have to be seamless and the key matching has to be perfect, so a lot of expectations.
DJS: There seem to be so few American producers/DJs currently in the game. How do you feel about the recent rise of EDM in the U.S. and where it’s headed?
MP: I’m really excited about it. I think we saw a major sea change in 2011 and it is largely a result of the social media catching up on things and people being empowered to find music on their own. I think there are going to be more American producers and right now there should be a lot more — if you look at it right now we have Diplo, Kaskade, Skrillex, me, Porter Robinson and Wolfgang Gartner. There should be more headlining festivals, but its cool. There are also a lot of good Canadians ones, but when you’re boiling it down to just the American ones it’s kind of a small group of people. It would definitely be nice to have more Americans and Canadians at these festivals.
DJS: What advice would you give you a new DJ/producer starting out in this industry?
MP: There are so many little things that I could talk to you for like a week straight about it. I would say the most important thing is to put in the time, I know its not the sexiest tip in the world, but it’s totally true. Even these guys who look like the blew up overnight, like Avicii and Alesso, they’ve been doing it since they were 11 and 12 years old. I started when I was 14. You’ve got to put your ten thousand hours in, ultimately, and that’s sort of the theory that’s out there. I would say you have to be spending a minimum of three hours a day making music, and doing it as early as you can.
DJS: What’s one thing that our readers should definitely know about Morgan Page?
MP: The most important thing to know about right now is the radio show. Beyond the album and all the singles that are coming out, it’s the best place to hear a new mix every week, there’s a one-hour mix and it’s free. You can get it on iTunes if you search for my name and it’s also on Sirus XM every Thursday. The radio show is very important: it brings a lot of people to the shows, a lot of people work out to it and it has become part of a lot of people’s lives, just having that fun mix to listen to, to get you through those Monday mornings. So people should definitely keep up with that and let me know what you think.
4. Morgan Page vs. Nari & Milani – “Where Did You Go Up?” [White]
5. Dave Silcox – “Bang Your Head” [Diffused]
6. Dyro – “Paradox” [Revealed]
7. Danny Dove & Nathan C – “Like That” [Trice]
8. Eva Simons – “I Don’t Like You” (R3hab Remix) [Interscope]
9. Morgan Page vs. Tom Fall – “Rock Fight” [White]
10. Chuckie & Promise Land feat. Amanda Wilson – “Breaking Up” [CR2]
11. Bad Boy Bill feat. Tamra Keenan – “Unsaid”
12. Gum Me – “Sweaty Shirts” [Flamingo]
13. Christian Burns & Stefan Dabruck “Bullet (Falko Niestolik Arena Mix) [Zouk]
14. EDX feat. John Williams – “Give It Up For Love” (Mysto & Pizzi Remix) [Sirup]
RAPID-FIRE ROUND
First thing you do when you wake up in the morning?
Get coffee.
When you were a kid what did you want to be when you grew up?
DJ … well, it started as a graphic designer but quickly turned to DJ.
Must-have item on your rider?
Coconut water
Motto you live by?
Do something you’re passionate about. If you don’t love what you’re doing quit your job as soon as you can and do something that you love, in any way that you can — even though it’s hard.
As if summer didn’t give us enough to look forward to already (as for example, Robbie Rivera @ Maison in Toronto this Friday) — the good people at Provoke have launched a contest offering Toronto EDM fans the chance to meet a group of stellar DJs this Saturday at the unveiling of the promoter’s newest endeavour.
It’s no secret: if it’s a Thursday in Toronto and you want to hear proper house, you go to Cobra. If it’s a Friday and you need to see the hottest DJs in the company of beautiful people, you go to Maison. Now, Provoke is aiming to own Saturday nights with the introduction of Xsessiveat Club XS.
To mark the occasion, Provoke is throwing a contest. Not only are they offering a full V.I.P. package (and when I say V.I.P., I mean Cedric-Gervais-in-Miami-type V.I.P..), they’re also giving the winner a chance to meet the DJs performing at the Xsessive inaugural.
Count me in! Except, alas, I’m not eligible — but I would be supremely pleased if an EDM addict like you were there to rep bpm:tv.
In case you’re unfamiliar with the DJs on the bill, here’s a quick primer to get you acquainted. Make no mistake, these guys put in work.
MANUEL DE LA MARE
This Italian will have you reppin’ Florence so hard you’ll be draped in a Fiorentina jersey by the end of the night.
Born in the Bayou but reppin’ La La Land, Trent is a great mixer. Put it this way: an opening slot for Swedish House Mafia usually says something about your skillz.
Middle of July, festival season in flight, hotter than a muthafucka ….
Wait a sec: remember all those long, cold winter nights when we bundled ourselves in parkas, scarves and long johns, enduring the bitter chill so we could get to the club to see our favorite DJ rage? I certainly remember, and I’m sure you do too. So I find it hard to complain about this stifling heat we’re all suffering through. As we all know, it could. Be. Much. Much. Worse.
But yeah, it is hotter than a muthafucka.
One other thing about summer that kinda sorta blows: since most major artists are busy touring so much, new material can be lacking. Now, sometimes that’s a good thing, giving you the chance to get reacquainted with old favorites. But for a new music junkie like me, it feels like drought season. But that just means I’ve gotta search harder and longer to find something fresh for you. Plus the Calgary Stampede starts today, and I can’t leave my cowboys hanging without some new electro. Lez get it!
Oh, and did I mention it’s hotter than a muthafucka?
THE SWEETS
We start with two vastly different but equally awesome remixes of Dada Life‘s “Kick Out The Epic Motherfucker.” Which one do youuuuu like?
Wolfgang Gartner is bizzack — this time with a preview of his new EP. People have been saying that Gartner’s work lately has been lacking. I think that’s a testament to high how he has set the bar. While I wouldn’t put it quite so harshly, I’ll concede that I haven’t heard the old Gartner for awhile. That ended today.
Here’s something a little different: Skrillex versus drum-and-bass. Some will love, some will hate. Either way,, this will evoke some kind of emotion from you.
Waka Flocka? Rooster in my Rari? What the hell am I talking about? Fans will know. People who don’t: trust me, you’re not missing much. But Clinton Sparks does make this pump. Worth a try.
Hmmm. I’ve liked every Sound Remedy track I’ve ever heard. Ever. But this one lacks … something. Still, he’s earned his stripes, so I’ll let it slide. Consider it recommended on the strength of his past work.
Excited about the upcoming IDENTITY Festival? This video should get you properly amped. If not, two words: Eric. Prydz. (Btw, if you want to win tickets to IDENTITY, mosey on over to our FB page, as in now-ish,)
