Posted by Gosia Mrugala

Fearless bpm:tv  bloggeuse Gosia Mrugala goes face-to-mask with the enigmatic Italian duo CYBERPUNKERS in this exclusive interview.

GOSIA MRUGALA: Where did you meet and how did you guys start working together?

CYBERPUNKERS: We met four years ago working on the console of the De Sade Cub of Milan, and we discovered we mutually have a very strong passion for the early cyberpunk style, the one that you can find in the Ridley Scott´s movie Blade Runner: an authentic masterpiece of 1982. Since we were DJs, we decided to create a format that could represent our personal interpretation of the style, pushing it in the current clubbing world. So the best thing to do, for us, was using masks to become two masked DJs! Obviously, we had to work hard for three years before the project could become true, but if we consider the results, we can definitely say that it was worth it!

GS: How is it working as a duo?

CPs: Playing as a duo has its advantages: the union of ideas and skills of two people … can reach the goals faster and more easily. Being a duo is important in our format, it gives us the chance to confront and have the certainty that every project is studied in detail — and also disagreements sometimes brings positive results. As you can imagine the world of a producer/DJ is not just music and clubs, it also needs constant promotion and visibility, and being a duo allows you to follow closely the work of people outside our offices, such as printing or labels’ offices, and promoters.

GS: “Give us a mask and we will tell the truth” — can you explain this notion?

CPs: The phrase is part of an aphorism by the famous Irish writer Oscar Wilde: “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.” Our interpretation is for the second part of the aphorism: When we mask ourselves we are without filters and inhibitions and we give the best we can to exhibit in the best way. Our transformation with our identity has given us the ability to be clear and stand out in a unique way. It may seem a contradiction, because who wants to mask their identity to hide his “true self” from the world? But in our case the philosophy of Oscar Wilde is ideal. We are “true” if masked, and our fans know this very well!

GM: Your top three tracks at the moment?

CPs: We’re working on a new EP with 3 tracks that at the moment are our top tracks! We will reveal only the titles: “I Will Kill You,” “Shock,” and “My Life,” and soon you will be able to listen to it.

GM: Which producing software do you prefer and why?

CPs: We began to produce using Virtual Instruments and some digital synth such as Virus or Nord Lead. Then we moved to analog synth. In our studio we use Moog Voyager, Alesis Andromeda and Dave Smith Prophet 08, adding distortion with guitar pedals. We’re really satisfied with the result … since moving to analog synth, we feel we have made a huge step forward. As for our sequencer, we use Nuendo, and for effect/eq/comp we use the classic Waves. Post production (mixing and mastering) are totally made by us, in our studio, because we never felt in tune with someone outside of our project. All our tracks are and will be done entirely by us.

GM: Vinyl, CD or MP3?

CPs: When we began our careers as DJs we used vinyl, and we’re really affectionate also now, but the convenience to bring with you CDs and a laptop has no price. The advent of MP3 has revolutionized our life as DJs, at the point that you need two USB flash drives and the evening is ready to go. We use the CDs but for most of our live performances the MP3 is the master!

GM: What has been the highlight of your career so far?

CPs: We don’t believe that we have reached the peak. Very humbly we say that work takes you up, but never enough to be at the peak! In today’s world, contaminated by the Internet and a large number of factors that make you discover new music and artists every day, we must always show true value. To fly high is fine, but with feet firmly planted on the ground.

GM: What is one hobby that your fans would be surprised to find out you enjoy?

CPs: As everybody knows, to create music is not the only thing that an artist enjoys doing: we also enjoy staying in touch with our fans using social media websites (MySpace, Facebook, Twitter …) because we love to answer directly. We are often far from Milan, so when we have free time, we spend our time with our friends and family. One possibly “surprising” hobby we enjoy is rollerblading. And of course sex, alcohol and the cyberpunk life style.

GM: Who are your biggest inspirations — and what have you learned from them?

CPs: We had different inspiration, from the Sex Pistols, Ramones, The Clash, Korn, Nirvana, The Offspring, System Of A Down, Depeche Mode, Massive Attack, Tricky … but also Michael Jackson (R.I.P.), and, for sure, Daft Punk, The Chemical Brothers and The Prodigy. As you know all the biggest names in music can and will always teach different meanings of music!!

GM: What is one aspect about the music scene you wish could improve/change?

CPs: There is nothing to change in today’s music scene; maybe you could give more space to emerging artists. When we have our own label, we will certainly do it and it will become the strong point of the label … off to the young!

GM: Where do you see yourselves five years from now?

CPs: Good question! We’ll find out in 5 years …. we like surprises!

Listen to Cyberpunkers on SoundCloud HERE! A few tracks that will rock your world:

Are You Ready? (Original Mix) Preview: LISTEN TO IT HERE

Fuck The System (Original Mix) Preview: LISTEN TO IT HERE

I Needed To Go (Original Mix): LISTEN TO IT HERE

Gosia Mrugala is a Toronto-based blogger and reviewer. You can read her blog HERE, and follow her on Twitter HERE.

Posted by Scott Willats

Quietly — or rather, in point of fact, not so quietly — Provoke has been dropping some real bombs: in terms of tracks, events, and everything in between. Their latest release, which landed just a couple of weeks back, has more momentum than the LeBron in game five against the OKC Thunder.

The combination of Gabe Gallucci and Jed Harper on the track “Falcon” is hotter than anyone could have even expected. A minute of thumps get your pulse racing at 128. Then the keys. Strings interweaving — a slight echo, a touch of reverb, but a powerful, ringing presence. It’s the big-room feel Jed Harper is known for. And Gallucci steps in with the “air shartz,” as I like to call them, and the rest is just plain insane, mayn.

“Falcon” is big-room heavy duty all the way; add four stellar remixes from the likes of Kim Fai, Northend, Stranjah and yes, Jed Harper himself, and this release is an absolute must-have. While Stranjah’s remix takes things in a drum-and-bass direction, Kim Fai and Northend stick to that progressive template. But it’s Jed’s own remix that takes the cake here.

Sometimes you’ll get a release where the remixers try to do too much, aiming for wholesale renovation rather than a simple add-on or enhancement. Happily, this is not one of those times. Each of these artists takes what’s best about the original and adds a distinctive personal touch. You can hear their creative additions, but the track you love still shines through, intact. Maybe nothing to you, but this is something I greatly appreciated.

Give a listen to the tracks below. CLICK HERE TO BUY THIS RELEASE ON BEATPORT.

Gabe Gallucci & Jed Harper – Falcon (Original Mix): LISTEN TO IT HERE

Gabe Gallucci & Jed Harper – Falcon (Jed Harper Remix): LISTEN TO IT HERE

Gabe Gallucci & Jed Harper – Falcon (Kim Fai Remix): LISTEN TO IT HERE

Gabe Gallucci & Jed Harper – Falcon (Northend Remix): LISTEN TO IT HERE

Gabe Gallucci & Jed Harper – Falcon (Stranjah Remix): LISTEN TO IT HERE

 Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

First things first: Digital Dreams was a massive success. I talked to people as who’d traveled from as far away as California to be there, along with lots of people who call this great city of Toronto their home. The vibe was right, the crowd was sexy and the music was nutz. There was a ton of media coverage, so I’m sure you’ll continue to hear plenty about it over the next few days. Stay tuned for an upcoming bpm Spotlight episode that will feature the interviews we were lucky enough to score with Afrojack, Kaskade, Major Lazer, Adam K, Art Department and many more.

Today’s post, however, is all about Iron & Water, the upcoming new release from Gingy & Bordello on Turbo Recordings. This could be the release of the summer. The anthemic title track has the sound of a number that could start the night or finish it — maybe both, on the right night.

While it may seem like an oxymoron, this duo have managed to evolve as artists while sticking closely to what has become their signature sound. It’s a brand of consistency that’s refreshing.

“Panopticon” and “Ausbruch” round out the EP, and both are quality material. “Ausbruch,” to me, sounds like one of those tracks the average DJ just can’t wait to play. The perfect techno template, it gives you the freedom to add your own creative touch during live sets, and while also allowing you the opportunity to loop continuously — the beat never grows redundant, the true hallmark of a classy production.

This Toronto duo may not be known for producing quantity, but the strength of Iron & Water affirms their reputation for consistent quality. And the real winner here is Turbo Recordings. Tiga‘s Montreal-based imprint has scooped up a couple diamonds in the rough, and will reap the rewards as their careers take off. With this release following hard on Ado’s Pressure EP, featuring the addictive “Right On,” it’s clear that Turbo is at the top of its game right now.

If you find yourself in Toronto on July 14, be sure to check out the Iron & Water release party at Cinecycle. CLICK HERE FOR DETAILS.

Gingy & Bordello – Iron & Water: LISTEN TO IT HERE

Gingy & Bordello – Promo Mix for Fabric Kill Em All 2012: LISTEN TO IT HERE

 Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

Dunno about you, but this weekend feels like Christmas to me. The dance music season is in full swing, and Canada is playing host to the best parties in the world! Can you feel it?

This is our weekend. There’s Bassmentality — sorry a Super Bassmentality happening in Ottawa, along with the Escapade fest. As for Toronto … well, you may have heard about a little something called the Digital Dreams festival. Homie! Iz going down. I said, can you feel it?

In this spirit of celebration, I’ve put together an extra-special “Sweets” — not so difficult, when you consider that this has been one of the better weeks of 2012 in terms of new music. Special praise for The Knocks, Zeds Dead and, of course, Dillon Francis. CAN YOU FEEL IT?

THE SWEETS

I love Ryan Enzed. If ever there was producer who deserved to be famous worldwide — as in right this minute — it’s this guy.

Ryan Enzed – Mission Accepted: LISTEN TO IT HERE

Dropped it yesterday, dropping it again today, might even drop it tomorrow. Zeds Dead are making next-level music. Canada. Does. It. Better.

Colin Munroe feat. Pusha T – The Fight Of My Life (Zeds Dead Remix): LISTEN TO THE PREVIEW HERE

Dillon Francis tweeted, while making this track, that it was creepy and awesome at the same time. Been waiting a while for a fresh Dillon track with quality — and man, is it good to have him back!

Steve Aoki – Control Freak feat. Blaqstarr & Kay (Dillon Francis Remix): LISTEN TO IT HERE

The Fool’s Gold Clubhouse mixtape dropped this week, with nine quality tracks. Highlights go to the Donovans and our homie Meech.

Donovans – House Of God: LISTEN TO IT HERE

Meech – Somethin: LISTEN TO IT HERE

Don’t know much about Elliott Porter … but I know this is massive!

Elliott Hamilton Porter – Flamingo

Don’t know who I’m more excited to see this weekend: Afrojack or R3hab! Anybody for a joint set?

Afrojack & Shermanology – Cant Stop Me Now (R3hab & Dyro Remix): LISTEN TO IT HERE

French excellence.

Madeon – Finale (Original Mix): LISTEN TO IT HERE

A shout-out to Provoke for throwing this li’l ditty on their SoundCloud.

Gabe Gallucci & Jed Harper – Falcon (Kim Fai Remix): LISTEN TO IT HERE

Mister Bashmore, you so special …

Julio Bashmore – Troglodytes: LISTEN TO IT HERE

Only a preview, but that’s not gonna stop me posting this soon-to-be-colossal hit.

Kaskade feat. Neon Trees – Lessons in Love (Fareoh Remix): LISTEN TO THE PREVIEW HERE

Montreal madness!

Adventure Club feat. Kai – Need Your Heart: LISTEN TO IT HERE

Feel-good track of the week and my personal fave!

Santigold – The Keepers (The Knocks Remix): LISTEN TO IT HERE

VISUAL SWEET

 Follow Scott Willats (SAWStruck) on Twitter

Join the Coco’s family, friends, staff, beach goers and frenemies for LIVE FROM COCO’S GRAND BEND, a Canada Day broadcast featuring the stars of the bpm:tv series GRAND BENDERS — and owners of Coco’s Grand Bend — Mickey, Nancy and Justin Rapaport.

The one-hour event will be hosted by Jorie Brown of bpm:tv’s Back @ Ya! and simulcast live online at bpmtv.com. HERE’S THE LINK.

Start time is 1 p.m. sharp, Sunday, July 1 at Coco’s, 62 Main Street, Grand Bend. The public is welcome to attend.

LIVE FROM COCO’S GRAND BEND promises to be a lively our of interviews, stunts and all the other things that make Coco’s … well … Coco’s.

The run-down includes live interviews with the stars of GRAND BENDERS, bunny tricks with Coco’s mascot Princess Coco, accordion playing, a mixology lesson, and a rummage through 25 years of Coco’s best “lost and found” items.

Immediately after the live broadcast, bpm:tv will stream GRAND BENDERS Episode One, “Chaos.”

LIVE FROM COCO’S GRAND BEND celebrates the 25th anniversary of Coco’s, a one-of-a-kind hotel, nightclub, restaurant and bar located on “the strip” in Grand Bend. Purchased in 1987 by Mickey and Nancy Rapaport, the family-run business is a hot-spot destination for young people and families alike seeking an escape from the city.

Over the years, Coco’s has also been a training ground for hundreds of local kids who live the Coco’s “work hard, play hard” ethic while undergoing a unique beach town boot camp, involving sleep deprivation, caffeine and cigarettes, liquor, love stories, misbehaving, and lifelong friendships.

During the live broadcast, online viewers can submit questions to the GRAND BENDERS cast using Twitter and #grandbenders or by posting a message to the GRAND BENDERS Facebook page.

LIVE FROM COCO’S GRAND BEND is produced by MDF Productions and Eventstream.

Posted by Scott Willats

We interrupt our regularly scheduled Digital Dreams preview to bring you the following public service announcement:

BRAND NEW BLOODY BEETROOTS!!!!!!!!!

That is all.

The Bloody Beetroots – Rocksteady: LISTEN TO IT HERE

Well, OK — that’s not completely all. Here’s what the good folks at Ultra Music have to say about it:

Sir Bob Cornelius Rifo better known as the Bloody Beetroots, returns this summer with a pumping new track suitably titled “Rocksteady”. Set for a June 26th release on Ultra Music, “Rocksteady” is the smash follow-up to his massive club record “Church Of Noise” which featured Sweden’s master of punk rock and The (International) Noise Conspiracy’s Dennis Lyxzén.

‘Rocksteady’ embraces the garage-punk sound that the Bloody Beetroots Project is so famously known for – rock infused exploding beats and vigorously energetic electro house.. Keeping in theme, the suitably rock ‘n’ roll video, directed by Wyatt Neumann, makes its debut June 28, just two days after the single is released. Sir Bob talks about his experience on set “You know what, my brain does not collect recent data but last week I was in Death Valley and it was mad fun! Girls, Shotguns, 70’s muscle cars, Dust…Nice!”

If you want to hear the single live, DJ/Producer Sir Bob Cornelius Rifo has teamed up with his Italian partner in crime, Tommy Tea from the FXs, for another Bloody Beetroots DJ Set tour this summer. Don’t expect the same old show though, the masks are different, the sounds are changing and they have brand new hi-octane club banger ready to annihilate the dance floor.

VIDEO OUT JUNE 28TH

Fuck Yes! I Love You All!

Sir Bob Cornelius Rifo

MASSIVE!

 Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

Porter Robinson week continues here at bpmtv.com, as we re-post our first look at the North Carolina prodigy’s smashing debut EP, Spitfire.

Don’t forget: Porter Robinson plays Toronto’s Sound Academy tomorrow night, courtesy of Embrace Presents. CLICK HERE FOR TICKETS AND INFO.

What were you doing when you were 19? Some of you haven’t even hit that magical number yet and are anticipating a great year, the first year of freedom. Some of you are in that age bracket and are beginning to enjoy life as an adult … or getting high in your parents basement. For those of us who have passed that brilliant age, apart from the wonderful memories and personal achievements, probably none of us did anything that would affect the rest of our own lives and, at the same time, touch the lives of many many others.

Enter Porter Robinson. Born in the not-yet-distant year of 1992 (sigh), this prodigy from the Tar Heel state of North Carolina has been thrown into the roller coaster of the electro scene, and has established himself as one of the leaders of the pack when it comes to the North American dub revolution. If I’m correct, all it took was Fl Studio 9, a Midi controller and talent. Porter has not only been one of the headliners of electro-dub-house scene — he has also changed it for the better. Breaking boundaries and genres with his songs, Robinson has become a fan favourite throughout the world.

The first track I remember hearing was “Say My Name,” which had so many sounds to it I wasn’t sure what genre to place it in. (“I dunno … electric music?”) The strings from the house anticipation, the wobble of the dubstep, the drums of electro — this kid is onto something. And so it went, as he released other tracks and remixes that proved he was no one-hit wonder, but rather a major figure in the game. Touring and fraternizing with the industry elite (Skrillex, Zedd, Lazy Rich and many others) didn’t hurt either.

Well, Porter just dropped his debut EP Spitfire, which is typical of everything else he has done in his early career: it’s really good. The EP features many remixes from some well known DJs and one from the flavour of the week known as Knife Party whose version of “Unison” is most certainly going to be playing in all clubs throughout the winter. But it’s Porter’s originals that are truly stellar.

Porter Robinson – Spitfire: LISTEN TO IT HERE

In case you’re just finding out about the homie, here are two tracks that got me hooked last year. The first is classic Porter …

Porter Robinson – Say My Name: LISTEN TO IT HERE

… and this one is a beaaaaaaaast. Check the remix by Lazy Rich when you get a chance, both are hard!

Porter Robinson – The Wildcat: LISTEN TO IT HERE

Mr. Robinson, I believe you’re trying to seduce me…..xx

[Originally Posted: Sept. 15, 20122]

Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

As our spotlight on feature artist of the week Porter Robinson continues, we stay focused on his breakout year: 2010. With this next set of releases, the news of a new teenage star in the EDM firmament went viral with the kind of speed that gives the most creative marketing and PR mavens a wet dream.

In other words, after “Say My Name” dropped, the  wolves tasted blood. North American EDM fans found an artist they could embrace as their own, 13-to-20-year-olds found a role model and inspiration, and electro house found a new saviour.

Without wasting any time, Porter dropped “The Wildcat,” making his signature sound suddenly inescapable. The scream of a bobcat, the merging of that vocal wobble with the clean, crisp 128 beat — just reliving the time you first heard this song can give you chills. In an age where artists and sounds come and go like public transit, it became clear at this moment that Porter Robinson was here to stay.

Porter Robinson – The Wildcat: LISTEN TO IT HERE

Next came some remixes — a move that was always going to be tricky. Usually, new artists make their way onto the scene with remixes, then slowly begin dropping originals; it’s a sort of feeling-out process. But Porter came at it from the opposite direction: he’d already given us four originals that even the biggest of names would die to call their own — now he was taking other artists’ sounds and trying to add his touch on it.

For me, remixes all come down to song selection. If you’re looking to really make your mark with a remix, why not pick a track that’s huge? It’s the perfect way to showcase your talent: people will already know the original, so they’ll really notice what you’ve done with it. Anyway, great minds must think alike, because Porter took on two of the biggest house songs at that moment and flipped them on their heads. Have a listen.

Tim Berg – Seek Bromance (Porter Robinson Remix): LISTEN TO IT HERE

Yolanda Be Cool – We No Speak Americano (Porter Robinson Remix): LISTEN TO IT HERE

2010, as you can see, was a huge year for Porter — and it didn’t end there. Here are a few more of the tracks he released in that amazing year. And keep in mind: we’re talking about a guy who was still just 18 years old.

Porter Robinson and Lazy Rich feat. Sue Cho – Hello: LISTEN TO IT HERE

Porter Robinson – I’m On Fire: LISTEN TO IT HERE

Heiko & Maiko - Wer Ist Sie (Porter Robinson Remix): LISTEN TO IT HERE

As 2010 drew to a close, one thing had become obvious: Porter Robinson was a star. There was no doubt about his production capabilities — but did he have what it takes to rock a crowd at a live show? That’s what we’ll find out in our next Porter post.

Don’t forget to check THIS LINK for tickets to Porter Robinson’s show at the Sound Academy in Toronto this Friday.

Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

This week we celebrate a young artist known to many as, simply, “the Prodigy.” In anticipation of a rager of a show slated for this Friday at Toronto’s Sound Academy (which two lucky members of bpm Nation will be catching for free!), we delve into the work of  Porter Robinson, the 19-year-old North Carolina native who is leading the next wave of emerging EDM artists into glory.

Ever since he dropped “Say My Name” in 2010, PR has compelled attention, standing out even in a field as overcrowded as EDM. Sure, “Get Brain” and “Leaving” had been released earlier, and both were heavy tunes in their own right. But “Say My Name” was something different, something epochal. For a kid of just 17 to take a sample, produce such dramatic strings, and blend it with such a heavy bassline: it was unimaginable.

Don’t discount those earlier tracks, though. “Leaving” was a tantalizing preview of Porter’s abilities, proving that he knows how to blend beats and vocals to perfection. Meanwhile, “Get Brain” showcased his knack for taking a small sample and making it giant-sized. And here’s the rub: while your favorite producers are creating these kinds of sounds in studios with 15-foot Legacy consoles, Porter was doing it on a laptop in his bedroom.

Porter Robinson – Leaving: LISTEN TO IT HERE

Porter Robinson – Get Brain: LISTEN TO IT HERE

2010, then, was a big year for Porter Robinson — and he was just getting started. We’ll have more on his subsequent releases tomorrow, as we prep for his Sound Academy Show this Friday.  CLICK HERE FOR INFO AND TICKETS.

Follow Scott Willats (SAWStruck) on Twitter

Posted by Scott Willats

So this week I focused on the UEFA EURO 2012, a tournament many say is harder to win than the World Cup. A good chance to take a look at some of the powerhouse nations in the EDM game and see just how many A-list artists they’ve got on the roster.

With all that said, though, it bears pointing out that North American is making a pretty convincing bid for EDM supremacy, too. This week, in fact, we have one of the year’s biggest fests taking place down in Vegas. Electric Daisy Carnival is finally here — and this year’s looks to be one for the ages. The set lists are incredible, and too numerous to list here, so I’ll just pass on the images I’ve been drooling over for the past two months. If can’t make it, don’t worry — I’ll have you covered next week with info all the best sets.

Until then, some sweets to turn your weekend into a Vegas vacation. Let’s get to it!

SWEETS

From one side of the country to the other: Felix Cartal lends his touch to Autoerotique‘s “Roll the Drums.” An absolute banger.

Autoerotique – Roll The Drums (Felix Cartal Remix): LISTEN TO IT HERE

Disclosure‘s “Control” gets absolutely glorified in the hands of producer Joe Goddard. From the 2:50 mark onward this track gets out of haaaaaaaaaaaaaaand! My personal favourite of the week.

Disclosure – Control (Joe Goddard Remix): LISTEN TO IT HERE

Brodinski teams up once again with Louisahhh! and the outcome is the same. Funky, creative and swagged out, this track begs the question: when do we get the Borsahhh! album?

Brodinski feat. Louisahhh! – Nobody Rules The Streets: LISTEN TO IT HERE

A little tardy with this one, but whenever you come across a new Pleasurekraft track you wait until the full version is released. We were teased with a preview a few weeks back, but it didn’t do the tune justice. It’s truly out of this world — particularly once it hits the four minute mark. (PS, Pleasurekraft are in Toronto tomorrrrrrrrrow night at SPACE IBIZA at Sound Academy. BE THERE!!!!!!!!!)

Pleasurekraft & Belocca – Murdered Out: LISTEN TO IT HERE

Speaking of previews, Tits & Clits have given us a glimpse of their latest track — and this one can’t wait. It’s a remix of Demon Superior‘s “Creepy Little Doll.” Something about T&C in the studio: they know how to pick just the right chord for every part of a remix. This will be a definite download when the full track becomes available; until then, this two-minute snippet should hold you.

Demon Superior – Creepy Little Doll (Tits & Clits Remix): LISTEN TO THE PREVIEW HERE

A double dose of T&C: pick  up this one while you’re at it.

Tits & Clits – Rendezvous: LISTEN TO IT HERE

If you like the idea of mixing swing music with electro, and if you like Parov Stellar, then you’re going to loooooooooooooove Sound Nomaden, who has taken over my iPod.

Sound Nomaden – You Gotta Hurry: LISTEN TO IT HERE

Mau5trap is well represented this week with the latest from Moguai: a remix of a track he released back in February. He must of heard something in the past four months that he wanted to incorporate, because this version is miles away from the original. Both are good — but this one’s better.

One of my favourite acts, T.E.E.D., remixed by none other than Miguel Campbell. Huge!

T.E.E.D. – Stronger (Miguel Campbell Remix): LISTEN TO IT HERE

New music from the man who repped the Oranje in this weeks bpm:tv Euro Cup of EDM! Nicky Romero teams up with ZROQ to bring you a track that’s certain to be a festival anthem all summer long.

Nicky Romero & ZROQ – WTF: LISTEN TO IT HERE

And finally, before we get to the ZD visuals: a mix from Grimeskee, Bassmentality approved. WEMF is gonna be ill this year!

Bassmentality – In The Mix with Grimeskee: LISTEN TO IT HERE

… annnnnnd just in case you live under a rock: new visuals from the current Best Group In The World …

Follow Scott Willats (SAWStruck) on Twitter