RBC Royal Bank Bluesfest – Day 11 Report

July 29th, 2012

Posted by Caelin Meredith

Almost at the of the RBC Royal Bank Bluesfest, and for EDM fans in Ottawa this was to be their day. Strategically, the Electro Stage showcased hip-hop as the Full Flex Express took over the Main Stage.

An homage to the legendary 1970 Festival Express tour that sent Janis Joplin, The Grateful Dead and The Band rolling across Canada by rail, the Full Flex Express packed Skrillex, Diplo, Grimes and Pretty Lights aboard a specially outfitted Via Rail train to party their way from from Toronto to Vancouver.

The set started at 6 pm with Diplo playing in 34-degree heat to about 10,000 people. He was in a chatty mood, continuously introducing his tracks on the mic and joking, “I heard Ottawa was harder than Toronto — but I had no idea how much harder!” This latter met with screams and cheers.

He dropped AC/DC to a thoroughly crazed reaction — no surprise, given, as I’ve mentioned before, Ottawa’s classic rock roots. Plus “Roxanne” by The Police with a deep Moombahton flow. The other huge anthem: “Rack City” remixed in various flavours.

Diplo felt so at home here he spent the last minutes of his set crowd-surfing, holding the mic and chatting. DJs jumping into crowd: is there any lingering doubt they’ve become our new rock stars? Nobody can touch them right now (figuratively speaking).

Meanwhile, over on the Electro Stage, Tyga was in the process of sending Ottawa’s hip-hop lovers ballistic.

I honestly had no idea that the local “heads” were so f**king nuts for the Cash Money/southern ballers style. But they lost it from the moment he hit the stage. He slammed it non-stop, and I had to duck side-stage as soon I heard the first few bars of “Rack City” — I could feel they were gearing up to lose their shit.

Elsewhere, Skrillex’s fans were busy getting ready to freak out the f**k out.

Pretty Lights was next up on the Main stage, as the crowd continued to swell. His set was orchestral and massive, punctuated with tunes like this one: “I Know The Truth.”

And finally, the main event! Skirllex brought a larger and more elaborate show than he had the previous night in Toronto. The backstage was closed due to all the pyrotechnics, lasers and whatnot, which meant no photography. So I had to sneak these …

This was a full-fledged rock concert ordeal, on a par with or bigger than what any of the week’s other main stage headliners had delivered — and the record crowd of 30,000 freaked to every minute of it.

… and FINALLY, an after party!

With the train set to depart at 2:30 am, getting to the party felt a little rushed, but once everyone got to Ritual Nightclub and settled in, the only issue I could foresee was getting all the artists to leave on time.

After Koan Sound (who are also on the train) played a dubsteppy set (including ragga jungle licks like “Special Dedication”), it was down to the Don. Skrillex, having just performed a full-on concert, played another few hours at this intimate club venue.

And the crowd was right there with him, partying on just as hard.

He gave it everything he had, sweating profusely and never letting up — even taking the photographer’s camera and snapping pics of himself with the crowd. Steadfast and dedicated, he is without question the hardest-working DJ out there right now.

And with that, the Full Flex Express left Ottawa as quickly as it had come, leaving a trail of wondrous disaster in its wake.


Check out Caelin Meredith’s site PUSH > PLAY.

The Monday Mash – Deep Freeze Edition

January 16th, 2012

Posted by Scott Willats

  

Bitter cold throughout the city of Toronto this weekend, but that didn’t stop the concert and party scene. I, however, am the biggest wimp when it comes to minus-15 weather. So I grabbed a couple movies and a couple of mixtapes, some wine and steak sandwiches, and called it a hibernation weekend. It’s a shame, too, because Burakka Som Sistema had been calling my name for the past couple of weeks, but I just wasn’t up for it.

What I was up for was dedicating some time to finding new cuts you’ll love. And what I came up with was Steve Aoki remixing Bassnectar, Urban Noize brightening up Young Money‘s Tyga, and more. Take a taste and savour the flavour.


Bassnectar dropped the new Divergent Spectrums EP on Friday, and it features a host of remixes from some of our favourite names. I’m not sold on all of them, but the more I listen the more I hear pieces of a picture I admire. Plus when it’s free and it’s Bassnectar, you want to just snatch it up and worry about  the fine details later.

Bassnectar – Divergent Spectrum Remixes: LISTEN HERE


Urban Noize‘s remix of Tyga‘s “Rack City” seems to have disappeared from Soundcloud. Here’s a link where, with luck, you’ll be able to find it. If not, be sure to check it on YouTube — it brings a different feel to a song that a lot of people are jumping on.


Forgive me for being tardy with this one. Our favourite Swedish electro duo F.O.O.L. (F**k Our Ordinary Lives) gave a way a free track for us last week and I missed it. The good news is, I’m all over it now — and it’s dark, which I find to be F.O.O.L’s best style. Pick it up!

F.O.O.L – Nighthum (Original Mix): LISTEN TO IT HERE 


Eby Le Beatz goes innnnnnnnnnnnnnnnnnnn! This is heavy!

Justice – Planisphère Part 1 (Eby Le Beatz remix): LISTEN TO IT HERE


Tommy Trash‘s name came up a lot in the conversation when I linked up with Chris Lake last month — and with tracks like this you can def see why.

Swedish House Mafia Vs. Knife Party – Antidote (Tommy Trash Remix): LISTEN TO IT HERE


Sick video from Aoki and Wynter Gordon.


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