Posted by Scott Willats

Last week Vegas got to me. There was no time to get to my computer, let alone sleep. But with great privilege comes great responsibility. The good news about my adventure last week is that I got to see some sick DJs play brand new tunez. And therein lies my responsibility: to relay these hot tracks to you while they’re still poppin’ fresh. Let the baton passing begin.

SWEETS

This week brought a double dose from Montreal hit men Adventure Club. One track takes the vocals from the Yeah Yeah Yeahs‘ “Maps” and chops it up quite nice, while the other is the background sound for the new Krewella track. Both go hard. Both are free.

Adventure Club – Wait: LISTEN TO IT HERE

Adventure Club – Rise & Fall feat. Krewella: LISTEN TO IT HERE

The next comes from Ado. Part of the Blood Music stable, he has switched teams to Twin Turbo for the release of Pressure. This new EP is full of raunchy electro techno that will keep you up all night — but it’s the track “Right On” that has me on the edge of my seat. Worth the purchase all on its own. You can get it on Beatport HERE.

Ado – Pressure EP Preview: LISTEN TO IT HERE

The latest Boysnoize Records release is exactly what you’d expect from BNR: innovative, different and completely mental. Les Petits Pilous always seem to find a sound nobody is messing with. You might not like it at first, but like a fine wine…

Les Petit Pilous – Drop It: LISTEN TO IT HERE

And speaking of Boys Noize, I have an absolute gem from him right hurrrr. He has created a four-minute tribute to Donna Summer, in a style I could only describe as: washy flossy techno. I think it’s absolute fire. Perfect for your next party!

Boys Noize – Donnastag: LISTEN TO IT HERE

Shook, possibly the coolest cat in the game, has released a track that lives up to his reputation as one smooth hustler. If you got the one you’re crushing on in the car, this is the tune your mojo is dying for you to play.

Shook – Love For You: LISTEN TO IT HERE

Sticking with that sexy vibe, we got something here from two of the most soulful artists in the game. Ellie Goulding takes on The Weeknd‘s humungous banger “High for This” and puts her own adorable touch on it, while Xaphoon Jones from Chiddy Bang gives her a different beat to play with. Together, they come up with something simply breathtaking.

Ellie Goulding – High For This (Produced by Xaphoon Jones): LISTEN TO IT HERE

Get used to this one. Avicii gives away a brand new track as a thank you to his fans for hitting 2 million likes. Hate if you want, but there’s a good reason Avicii is maybe the second or third biggest name in EDM — and  this song is living proof.

Avicii – Two Million (Original Mix): LISTEN TO IT HERE

Speaking of big name DJs: Afrojack has taken on a classic and given it his trademark electro touch. I’m always a little hesitant when I hear a Michael Jackson track remixed, and to be honest I’m not 100 percent on board with this one. But decide on your own — you may well find yourself  giving it more than one listen.

Michael Jackson – Bad (Afrojack Remix): LISTEN TO IT HERE

This song has been remixed, like … what? A million times? Hip-hop, rock, dance — it doesn’t matter, the strings in Phantom of the Opera have been tried and tested. Many times the result have been indifferent, but this time it’s done right. It feels like Ryan Enzed makes music every second of his existence. And why not, right?

Ryan Enzed – Phantom of Electro: LISTEN TO IT HERE

Aaaaaaaand … I’ll stop there. Be sure to check in next week. In honor of UEFA EURO 2012 kicking off in Ukraine and Poland on June 8, I’ll be breaking down group by group, country by country. Soccer, you say?!? No, amigo … we’re going EDM with this. We’re going to take a look not at the footballing ability of the competing countries, but their music-making ability. Sweden, Spain, Italy, England, France, Germany, Netherlands — all home to heavy-hitting, world renowned DJs. To say nothing of Ireland, Portugal, Croatia, Denmark, Russia, Greece, Czech Rep, and Poland — all with hidden gems of their own, all capable of competing with the big boys.

So grab your flag and lift it high — cuz bpm:tv presents The real Euro 2012!

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Posted by Scott Willats

Mr. Steve Aoki (a.k.a.) Kid Millionaire is one of the pioneers of what has become the EDM boom. The founder of Dim Mak Records has circled the world, headlining at all of the biggest events with his distinctive brand of party music. Previously known more for his stage presence, Aoki has developed into one of the better producers in EDM over the past 4 years. I was eager to find out what sounds he’s been playing with lately and how it’s all panned out. So here’s my take on his brand new album, Wonderland.

Earthquakey People feat. Rivers Cuomo

For all intents and purposes, the title tack of the album. This is the Aoki you expect: heavy, distorted bass that invades your speakers with a classic buildup. Rivers Cuomo is a bit of a weird choice for this beat, though. Don’t get me wrong: I have every Weezer album. But his voice doesn’t translate as well on an electro track made for the big room as it does on a rock anthem played for stadiums. I like the lyrics; though meant for partying and partying only, they flow well. Still …I can’t put my finger on it, but something is missing. At least, it is until you check out the Dillon Francis remix. Huge!

Ladi Dadi feat. Wynter Gordon

There’s no scientific basis for this, but it’s a theory I believe in: track number two on a CD is always the artist’s favourite song. Can’t tell you why — just that on album after album, track two is the keeper. Aoki bears this out with “Ladi Dadi” — the song bangs. A radio-friendly track that lays down the perfect background for vocals from the much-in-demand Wynter Gordon. And the video is wicked!

Dangerous feat. Zuper Blahq

Some artists just have great chemistry — and that’s the case with Aoki and The Black Eyed Peas front man will.i.am. Performing as his alter ego, Zuper Blahq, will delivers the the robotic lyrics that make this tune … dangerous. The track is a banger that keeps up a steady pace until the 2:30 mark — at which point it just goes h.a.m!

Come With Me (Deadmeat) feat. Polina Goudieva

For those who love airy-sounding big-room tunes, this one’s for you. Polina’s vocals leap straight off a track that could easily be mistaken for Benny Benassi or Afrojack, and immediately hook you in. For myself, I love the parts focused on the pads rather than those focused on the beats. Either way, you have to agree it’s Polina’s presence that makes this track special.

Steve Aoki feat. Polina – Come With Me: LISTEN TO IT HERE

Emergency feat. Lil Jon & Chiddy Bang

This is why you have to love Aoki. An album this diverse was always going to have some predictable elements and some wildly unpredictable ones. But on the same song? Anybody who knows anything about Aoki could have guessed that Lil Jon would turn up on this album — but Chiddy Bang? Not so much. For those who haven’t already heard of Chiddy Bang, it’s time to get familiar. The Philly duo consists of Chiddy, the world record holder for longest rap (nine hours!) and Xaphoon Jones, one of the most creative and innovative producers in the game. They bless this tune with some heavy content. Aoki saves one of his better beats for the duo, and Chiddy goes innnnnnn on the beat and eats the track alive. Add some of Lil Jon’s trademark screaming, and you’ve got a hit. I think you’ll be surprised how much you like this track. My personal favourite.

Emergency feat. Lil Jon & Chiddy Bang: LISTEN TO IT HERE

Living My Love feat. LMFAO & Nervo

It’s an LMFAO world that we’re living in. Right now they’ve got the Midas touch, and you can hear it on this track. Nervo deserves mention because it’s as much her track as theirs — but there’s just something about Redfoo and Skyblu. When you hear their voices on a tune, it immediately feels like something you’ve always known. And I think that’s a good thing. Expect this to be the next single off the album.

Control Peak feat. BlaqStarr & Kay

Bring the vibes, bring the soul. The acoustic bass is the first thing you’ll notice, lending a welcome organic feel to this soulful track. The showstopper here is Kay; when that second verse starts it doesn’t matter where you are — your head’s gonna start bobbing and your hips are gonna to wiggle a little. This tune will probably be overlooked by most EDM junkies, but it might just be the most insightful track on the album.

Steve Jobs feat Angger Dimas

Hard, heavy and hectic. Nuff said!

Heartbreaker feat. LoveFoxx

A track made for long bus rides. This has an immediate, soundtrack-y feel and plays the part just right. LoveFoxx is the perfect choice to quarterback — her airy vocals are just what’s needed to make this song worthy of the most overused word in the English language: epic. I can see this one being huge in Europe.

Cudi the Kid feat. Kid Cudi & Travis Barker

Kid Cudi must count his lucky stars at night. Not to say he doesn’t deserve all the fame and recognition, but I’ve rarely seen an artist win such open acceptance across multiple genres. He’s an EDM hero, a rap phenomenon, an acclaimed actor and a rock star. One this track he’s accompanied by another musician who has received a similarly open-armed reception: Travis Barker. The song? Good, but not great.

Ooh feat. Robert Raimon Roy

I love this track. Funky, fly and fresh. Triple R delivers some heavy vocals, and Aoki outdoes himself on the beat, nailing it right on the head. This beat is so ill – that’s the only description that does it justice.

“I’m about it allllllll….”

Steve Aoki feat. Rob Roy – Ooh (Original Mix): LISTEN TO IT HERE

The Kids Will Have Their Say feat. Sick Boy

Hmmm. If you read this blog you know I hate when artists stick rigidly to just one genre. The best part of music is experimentation. That said, sometimes you can go a little too far. For those who are strictly EDM fans (dubstep, house, progressive, minimal, trance etc.), I’m afraid you won’t like this one. Steve goes apes**t on a heavy metal ballad. You be the judge.

Earthquakey People (The Sequel)

To my mind, this version is light years better than the original, and I think he must’ve known that. Sometimes an artist will have five different versions of the same song, and end up just gambling on which one will resonate with the crowd. Sometimes I wish they’d just release all five and let the fans decide. Kudos to you, Steve, for experimenting with that idea!

THE FINAL WORD

For someone like me who loved with the classic hip-hop mixtape format — where you basically put your name on the disc and release other people’s tunes — I must say I really enjoy the style of Wonderland. It showcases some amazing beats inspired and created by Aoki. But what I love best is that every song feels like an experiment. Some work well, and others not so much — but every track is going for something different, and for that I give the creator my utmost respect. This album is proof that Aoki has come a long way.

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